by emma yau, raina lampkins-fielder, rebecca bray

a wide-ranging survey of black art in the american south, from thornton dial and nellie mae rowe to the quilters of gee's bend

for generations, black artists from the american south have forged a unique art tradition. working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, and recycled and cast-off objects that articulate america's painful past--the inhuman practice of enslavement, the cruel segregationist policies of the jim crow era and institutionalized racism. their works respond to issues ranging from economic inequality, oppression and social marginalization to sexuality, the influence of place and ancestral memory.
among the sculptures, paintings, reliefs and drawings included here--the majority from the souls grown deep foundation in atlanta--are works by thornton dial, lonnie holley, ronald lockett, hawkins bolden, bessie harvey, charles williams, mary t. smith, purvis young, mose tolliver, nellie nae rowe, mary lee bendolph, marlene bennett jones, martha jane pettway, loretta pettway and henry and georgia speller. also featured are the celebrated quiltmakers of gee's bend, alabama, and work from the neighboring communities of rehoboth and alberta.

*hardcover

theorists and artists from jack halberstam to peter rehberg consider the fruitful cross-pollination of video, punk, queerness and gender politics

since the 1970s, the medium of video has been closely associated with subcultural and countercultural movements. art and music videos in particular have showed great subversive potential, as artists and musicians use the medium to explore and transgress social norms and gender stereotypes. the essays in this publication consider artistic strategies in the context of the history of punk and its offshoots, combining scholarly opinions from the fields of art history, queer theory, media studies, gender studies, postcolonial studies and cultural studies alongside field reports from the practice of alternative archives and visual essays.

authors include: kathrin dreckmann, marina grzinic, jack halberstam, josefine hetterich, angela mcrobbie, jennifer ramme, peter rehberg, marion schulze, elfi vomberg and katharina wiedlack.

*paperback

carrie mae weems has often confronted the uncomfortable truths of racism and race relations over the course of her nearly 40-year career. in The Shape of Things, she focuses her unflinching gaze at what she describes as the circus-like quality of contemporary american political life. for this new work, weems created a seven-part film projected onto a cyclorama―a panoramic-style cylindrical screen that dates to the 19th century―where she addresses the turmoil of current events in the United States and the “long march forward.”

drawing on news and tv footage from the civil rights era to today, elements of previous films such as the madding crowd (2017) and new film projects that bring us into our tumultuous present, the films in The Shape of Things combine documentary directness with poetic rhythm to create an enveloping experience.

carrie mae weems (born 1953) has received numerous awards, grants and fellowships, and is represented in public and private collections around the world, including the metropolitan museum of art, new york; the museum of fine arts, houston; and the museum of modern art and the museum of contemporary art, los angeles. weems lives in brooklyn and syracuse, new york.

the idlewild co. 2025 cocktail wall calendar features twelve bright & whimsical cocktail illustrations. best of all– when the month is complete, flip to the backside to cut out the keepsake recipe card & try your hand at the month’s bar-tending tasks! with vibrant, full color illustrations and a gold foil detailed cover, this calendar makes a statement in your space, or a great gift for a cocktail enthusiast!

• 12-page wall calendar
• spiral bound with hanging hook
• includes 12-qty. 7″ x 5″ recipe cards
• 7″ x 12″ x .25

the get bullish motel keychain is a modern take on the classic hotel key tag, designed for a bold and unapologetic touch to your everyday carry.

• measures approximately 3.75" x 1.75"
• made from durable plastic with a metal split ring
• features "GET BULLISH" in small type on the back

this compendium presents the rich diversity of themes, ideas, concepts, and emotions surrounding two fundamental and iconic figures of modern mexico: painter frida kahlo and her husband, muralist diego rivera.

more than 300 images from the archives of the museo frida kahlo in mexico city offer readers a glimpse into kahlo’s distinctive wardrobe, the impressive collections of popular and pre-hispanic art she assembled with rivera, her connection with photography, and the history of la casa azul, her beloved blue home that now serves as the museum’s main building. this volume invites readers into frida kahlo’s world, exploring the legacy of an essential figure in 20th-century art and culture, both in her native mexico and around the globe.

frida kahlo (1907–54) began painting at the age of 18 after being immobilized for several months following a bus crash that left her permanently disabled. from then on, art became a profound source of healing and a powerful means of self-expression and cultural exploration. at the center of kahlo’s practice was her deep connection to mexican folk traditions, her committed political beliefs, and her complex relationship with her body, gender, and sexuality. a lifelong activist, kahlo died of a pulmonary embolism after participating in a demonstration against the cia’s invasion of guatemala.

a new york magazine 2021 holiday gift guide pick. a mother stitches a few lines of prayer into a bedcover for her son serving in the union army during the civil war. a formerly enslaved african american woman creates a quilt populated by biblical figures alongside celestial events. A quilted lady liberty, george washington and abraham lincoln mark the resignation of richard nixon. these are just a few of the diverse and sometimes hidden stories of the american experience told by quilts and bedcovers from the collection of the museum of fine arts, boston.

spanning more than 400 years, the 58 works of textile art in this book express the personal narratives of their makers and owners and connect to broader stories of global trade, immigration, industry, marginalization, and territorial and cultural expansion.

artists include: faith ringgold, sanford biggers, irene williams, bisa butler, harry tyler, harriet powers, marie d. webster, marguerite zorach, dorothy phillips haagensen, rachel cary george, florence peto, creola pettway, susan hoffman, molly upton, nancy crasco, agusta agustsson, edward larson, michael james, virginia jacobs and carla hemlock.

this book, chromotherapia: the feel-good color photography, offers genuine relief from the black-and-white world. often dismissed and not always taken seriously, color photography has nevertheless allowed artists to expand their palettes and “paint” through the lens. many have moved beyond the medium’s documentary associations to explore the shared roots of image and imagination, drawing inspiration from movements such as surrealism and pop art.

famed italian visual artist and curator maurizio cattelan and curator sam stourdzé offer a new reading of the history of color photography, tracing its evolution from the 20th century into the 21st through the work of more than 20 artists. together, these photographs lead viewers into vibrant, unexpected, and richly colored worlds. from sunny yellow and azure blue to bright red and bubbly orange, the book celebrates the expressive power of color through the lenses of some of the most influential names in photography.

photographers include: yevonde middleton, harold edgerton, erwin blumenfeld, walter chandoha, william wegman, hiro, guy bourdin, alex prager, juno calypso, adrienne raquel, miles aldridge, ouka leele, hassan hajjaj, ruth ossai, pierre et gilles, sandy skoglund, martin parr, arnold odermatt, maurizio cattelan, and pierpaolo ferrari.

tracing the rich tradition of chinese patchwork art in domestic and rural spaces, from its ancient origins to its contemporary manifestations.

from the onset of her career, charlotte perriand was a maverick who believed in good design as a force for the betterment of society. many young designers would have been discouraged by a rejection from le corbusier’s studio, but when the renowned architect told her there was no place for a female furniture designer, perriand became even more determined to prove her abilities as an artist. under le corbusier, and long after leaving his studio, perriand’s contributions to furniture design and architecture demonstrated a unique sensitivity to the organic beauty of nature as well as the egalitarian possibilities of the machine age. her left-wing populist politics influenced much of her work, from modular furniture systems to major architectural projects.

this monograph explores perriand’s most celebrated interiors, original furniture designs, and architectural projects, as well as previously unpublished sketchbooks that offer new insight into her creative process and her lasting place in design history.

charlotte perriand (1903–99) experienced her first major breakthrough with le bar sous le toit, a 1927 interior design project that anticipated the elegant minimalism and utilitarian qualities that would define her later work. although she is perhaps best known today for her early chaise longue designs, perriand also developed plans for major buildings across europe and contributed interior designs to le corbusier’s unité d’habitation. she worked in locations as diverse as tokyo, rio de janeiro, and london in pursuit of creating accessible, human-centered design.

widely considered one of the most influential living american artists, new york–based photographer and multimedia artist carrie mae weems (born 1953) has developed a practice celebrated for its exploration of cultural identity, power dynamics, intimacy, and social justice. through a body of work that challenges prevailing representations of race, gender, and class, weems examines the ways history and identity are shaped by visual culture.

defined by her use of photography, installation, film, and performance, her remarkably diverse and groundbreaking oeuvre questions dominant ideologies and historical narratives perpetuated through mass media. published in conjunction with her solo exhibitions at barbican art gallery london and kunstmuseum basel, this book brings together a selection of weems’ own writings, lectures, and conversations for the first time, offering personal insight into themes including the consequences of power, artistic appropriation, and the construction of history.

this publication is dedicated solely to the early and canonical body of work by american artist carrie mae weems (born 1953). the 20 photographs and 14 text panels that make up kitchen table series tell the story of one woman’s life, unfolding within the intimate setting of her kitchen. the kitchen, one of the primary spaces of domesticity and a traditional domain of women, becomes the backdrop for exploring relationships—with lovers, children, friends—and the evolving sense of self through moments of strength, vulnerability, distance, tenderness, and solitude.

as weems describes it, this work explores “the battle around the family ... monogamy ... and between the sexes.” weems herself serves as the protagonist of the series, while the woman she portrays also represents a broader archetype. kitchen table series seeks to reposition and reimagine possibilities for women and people of color, exploring themes of identity, relationships, and, in the artist’s words, “unrequited love.”

published with big ndn press.

this landmark volume brings together a dynamic group of native north american contemporary artists, musicians, filmmakers, choreographers, architects, writers, photographers, designers, and more. conceived by renowned artist jeffrey gibson, who is of mississippi choctaw and cherokee descent, an indigenous present presents an increasingly visible and expanding landscape of indigenous creative practice.

the book centers individual artistic practices while acknowledging shared histories, creating a visual experience that highlights diverse approaches to concept, form, and medium. through themes of connection, influence, conversation, and collaboration, an indigenous present emphasizes the complexity and breadth of contemporary indigenous expression.

the volume foregrounds transculturalism over affiliation and contemporaneity over outdated categories, offering a more expansive understanding of indigenous creativity today.