abolition. feminism. now.: in this movement genealogy, angela davis, beth richie, erica meiners, and gina dent trace the work of activists and grassroots organizers fighting to dismantle patriarchal, heteronormative, and white supremacist systems. the authors show how feminist, anti-racist, and anti-capitalist struggles are deeply intertwined, lifting up overlooked histories and everyday acts of resistance. a timely call to action and a powerful reflection on liberation, past and present.

published with big ndn press.

this landmark volume brings together a dynamic group of native north american contemporary artists, musicians, filmmakers, choreographers, architects, writers, photographers, designers, and more. conceived by renowned artist jeffrey gibson, who is of mississippi choctaw and cherokee descent, an indigenous present presents an increasingly visible and expanding landscape of indigenous creative practice.

the book centers individual artistic practices while acknowledging shared histories, creating a visual experience that highlights diverse approaches to concept, form, and medium. through themes of connection, influence, conversation, and collaboration, an indigenous present emphasizes the complexity and breadth of contemporary indigenous expression.

the volume foregrounds transculturalism over affiliation and contemporaneity over outdated categories, offering a more expansive understanding of indigenous creativity today.

angela davis: an autobiography: originally published in 1974 and written when angela davis was 25, this is a fine telling of the situations and struggle of the 60s and 70s. often misunderstood, angela did not want to write a 'personal' autobiography and thus was reluctant to do a book like this in the first place. she didn't see herself as that different from the lives of the millions of struggling people that she and her efforts sought to better. every facet of her own life that she chose to share with us here is tied in some way to that struggle to bring dignity to the masses of human beings exploited throughout the world. what you walk away with after reading this book is how much she really does care about the lives of people. it's not just a bunch of abstract ideas, neat theories, or some trivial intellectual exercise. it really is life and death issues. and she fought for the lives of many as if she would fight for her own.

this publication is dedicated solely to the early and canonical body of work by american artist carrie mae weems (born 1953). the 20 photographs and 14 text panels that make up kitchen table series tell the story of one woman’s life, unfolding within the intimate setting of her kitchen. the kitchen, one of the primary spaces of domesticity and a traditional domain of women, becomes the backdrop for exploring relationships—with lovers, children, friends—and the evolving sense of self through moments of strength, vulnerability, distance, tenderness, and solitude.

as weems describes it, this work explores “the battle around the family ... monogamy ... and between the sexes.” weems herself serves as the protagonist of the series, while the woman she portrays also represents a broader archetype. kitchen table series seeks to reposition and reimagine possibilities for women and people of color, exploring themes of identity, relationships, and, in the artist’s words, “unrequited love.”

widely considered one of the most influential living american artists, new york–based photographer and multimedia artist carrie mae weems (born 1953) has developed a practice celebrated for its exploration of cultural identity, power dynamics, intimacy, and social justice. through a body of work that challenges prevailing representations of race, gender, and class, weems examines the ways history and identity are shaped by visual culture.

defined by her use of photography, installation, film, and performance, her remarkably diverse and groundbreaking oeuvre questions dominant ideologies and historical narratives perpetuated through mass media. published in conjunction with her solo exhibitions at barbican art gallery london and kunstmuseum basel, this book brings together a selection of weems’ own writings, lectures, and conversations for the first time, offering personal insight into themes including the consequences of power, artistic appropriation, and the construction of history.

carrie mae weems has often confronted the uncomfortable truths of racism and race relations over the course of her nearly 40-year career. in The Shape of Things, she focuses her unflinching gaze at what she describes as the circus-like quality of contemporary american political life. for this new work, weems created a seven-part film projected onto a cyclorama―a panoramic-style cylindrical screen that dates to the 19th century―where she addresses the turmoil of current events in the United States and the “long march forward.”

drawing on news and tv footage from the civil rights era to today, elements of previous films such as the madding crowd (2017) and new film projects that bring us into our tumultuous present, the films in The Shape of Things combine documentary directness with poetic rhythm to create an enveloping experience.

carrie mae weems (born 1953) has received numerous awards, grants and fellowships, and is represented in public and private collections around the world, including the metropolitan museum of art, new york; the museum of fine arts, houston; and the museum of modern art and the museum of contemporary art, los angeles. weems lives in brooklyn and syracuse, new york.

centered offers a rich, inclusive, and contemporary look at design diversity, both past and present, through essays, interviews, and images curated by design educator and advocate kaleena sales. as the design industry challenges its eurocentric foundations and reassesses conventional practices, centered highlights the voices, places, methods, ideas, and beliefs that have been overshadowed or excluded by dominant design movements. with thirteen thought-provoking essays and interviews, this volume features underrepresented and impactful design work, both historical and contemporary.

• includes works such as gee's bend quilters by stephen child and isabella d'agnenica and a chinese typographic archiveby yujune park and caspar lam.
• features an interview with sadie red wing (her shawl is yellow) on indigenous sovereignty and design.
• explores diverse and often overlooked design movements like the truck art of india by shantanu suman.

centered is an essential read for anyone passionate about diversity in design and the importance of elevating marginalized voices and practices in shaping the future of the field.

from the onset of her career, charlotte perriand was a maverick who believed in good design as a force for the betterment of society. many young designers would have been discouraged by a rejection from le corbusier’s studio, but when the renowned architect told her there was no place for a female furniture designer, perriand became even more determined to prove her abilities as an artist. under le corbusier, and long after leaving his studio, perriand’s contributions to furniture design and architecture demonstrated a unique sensitivity to the organic beauty of nature as well as the egalitarian possibilities of the machine age. her left-wing populist politics influenced much of her work, from modular furniture systems to major architectural projects.

this monograph explores perriand’s most celebrated interiors, original furniture designs, and architectural projects, as well as previously unpublished sketchbooks that offer new insight into her creative process and her lasting place in design history.

charlotte perriand (1903–99) experienced her first major breakthrough with le bar sous le toit, a 1927 interior design project that anticipated the elegant minimalism and utilitarian qualities that would define her later work. although she is perhaps best known today for her early chaise longue designs, perriand also developed plans for major buildings across europe and contributed interior designs to le corbusier’s unité d’habitation. she worked in locations as diverse as tokyo, rio de janeiro, and london in pursuit of creating accessible, human-centered design.

tracing the rich tradition of chinese patchwork art in domestic and rural spaces, from its ancient origins to its contemporary manifestations.

this book, chromotherapia: the feel-good color photography, offers genuine relief from the black-and-white world. often dismissed and not always taken seriously, color photography has nevertheless allowed artists to expand their palettes and “paint” through the lens. many have moved beyond the medium’s documentary associations to explore the shared roots of image and imagination, drawing inspiration from movements such as surrealism and pop art.

famed italian visual artist and curator maurizio cattelan and curator sam stourdzé offer a new reading of the history of color photography, tracing its evolution from the 20th century into the 21st through the work of more than 20 artists. together, these photographs lead viewers into vibrant, unexpected, and richly colored worlds. from sunny yellow and azure blue to bright red and bubbly orange, the book celebrates the expressive power of color through the lenses of some of the most influential names in photography.

photographers include: yevonde middleton, harold edgerton, erwin blumenfeld, walter chandoha, william wegman, hiro, guy bourdin, alex prager, juno calypso, adrienne raquel, miles aldridge, ouka leele, hassan hajjaj, ruth ossai, pierre et gilles, sandy skoglund, martin parr, arnold odermatt, maurizio cattelan, and pierpaolo ferrari.

claudette colvin: twice toward justice: meet the rosa parks before rosa parks, with extensive interviews and historical documentations of a high school student who wasn't afraid to lead the way in the civil rights movement. see the hardships and disgust she faced when just a fraction of time later, others in her line were celebrated. the stark contrast between celebration and disdain for similar actions poses the question of age in activism and treatment towards one another within our communities. (this book may contain a sharpie mark on the top or bottom edge and may show mild signs of shelfwear.)

climate justice: hope, resilience, and the fight for a future: former president of ireland and longtime climate activist mary robinson shares powerful, personal stories from around the globe—spotlighting grassroots women leading transformative climate action. from a matriarch in mississippi to a farmer in uganda, this book is a hopeful, urgent call to link climate justice with human rights.

paperback book
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direct action handbook: this practical guide is a must-have for anyone looking to protest safely and effectively. it covers everything from knowing your rights, handling police encounters, and dressing appropriately, to managing tense situations and being an empathetic ally. with helpful infographics and expert tips, this book ensures you're prepared for your next protest, rally, or march.

disability pride: dispatches from a post-ada world: this in-depth look at the disability community explores how activism, representation, and attitudes have evolved since the americans with disabilities act. through interviews and reportage, it highlights a new generation shaping the future, from autistic self-advocacy to the rise of disability culture in social media, fashion, and entertainment. it also examines ongoing challenges, including systemic ableism in healthcare, institutionalization, and exploitative labor practices. the erasure of nonwhite and lgbtqia+ voices within the movement is addressed, leading to the rise of disability justice. while exposing these injustices, it also showcases the resilience of disabled individuals who continue to fight for equality and recognition. this portrait of a diverse and dynamic community offers a fresh perspective on inclusion and social change.

this book may contain a sharpie mark on the top or bottom edge and may show mild signs of shelfwear.