an exploration of the visual corollary to didion’s life and work and the feeling that each generates in her admirers, detractors and critics―including artists from helen lundeberg to diane arbus, betye saar to maren hassinger, vija celmins and andy warhol.

arranged chronologically, the book highlights didion's fascination with the two coasts that made her. as a Westerner transplanted to new york, didion was able to look at her native land, its mores and fixed rules of behavior, with the loving and critical eyes of a daughter who got out and went back. and from her new york perch, didion was able to observe the political scene more closely, writing trenchant pieces about clinton, el salvador and most searingly the central park five.